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- Foreword
The Art Gallery of Greater Victoria recently had the honour of welcoming several Tibetan monks who created a sand mandala, rich in the symbolism and traditions of Tibetan Buddhism. Their presence with us for a number of weeks culminated in the visit of His Holiness, the Dalai Lama, who personally consecrated the mandala. Their daily chanting, their dedication and patience, and their spiritual commitment gave much to the community in addition, of course, to a spectacular work of art. Throughout, they wore the robes and colours representative of the Yellow Hat sect of His Holiness, the Dalai Lama. Resulting from this visit and from the work with our collection of Buddhist art, that of Tibet, Japan and China, questions have been asked as to the meaning and significance of the kesa or monks' robes. We are pleased to be able to present Japanese examples of these sacred symbols of Buddhism, symbols which are considered the physical incarnation of the Buddhist teachings.
To be able to present this exhibition tracing the history and evolution of the art of the kesa in Japan is a rare opportunity. The sponsorship of The Ocean Pointe Resort, Victoria, has enabled the Art Gallery of Greater Victoria both to present the exhibition of Japanese Monks' Robes and to produce this publica�tion. Our grateful thanks and sincere appreciation go to The Ocean Pointe Resort.
I would also like to thank Barry Till, Curator of Asian Art at the Art Gallery of Greater Victoria, and Paula Swart, Curator of Asian Studies at the Vancouver Museum, for her assistance. My added thanks go to all the staff who have contributed to the realization of this exhibition and publication.
Patricia E. Bovey, Director February, 1996
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