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- G b Hiroshige print / Estampe de Hiroshige
unusual viewpoints. Some members of his family, such as Masaji Yoshida (1917-71) [91] and Hodaka Yoshida (b. 1926) [90], went on to be great artists in the sosaku hanga movement, but one son, Toshi Yoshida (b. 1911) [60], con�tinued to make ukiyo-e-like prints in the traditional style of his father.
The ukiyo-e artist most admired for his actor portraits was Sharaku (active 1794-95). Three shin hanga artists tried to recapture the spirit of Sharaku�s magnificent Kabuki prints. Natori Shunsen (1886-1960) [65], Yamamura Koka (1885-1942) [66] and Yoshikawa Kampo (b. 1894) [67] made stylized and richly textured prints which, to a large extent, succeeded in reviving the picturesque theatrical tradition of ukiyo-e. In the early twentieth century, an artist named Kogyo (1869-1927) [68] made some interesting print studies of the aristocratic Noh theatre.
morcellement de la composition en simples champs g�om�triques, le format vertical, et l�emploi d�un point de vue d�plac� vers le haut ou vers le bas, pour rapprocher le premier plan et l�arri�re-plan.
Dans le domaine de l�art occidental, les id�es les plus progressistes se sont �labor�es � Paris � la fin du dix-neuvi�me si�cle, et l�estampe ukiyo-e avait un r�le � jouer dans ce nouveau mouvement. Manet �tait le premier � assimiler certains �l�ments de l�estampe ukiyo-e, en particulier la repr�sentation d�activit�s quotidiennes et d�exp�riences ordinaires. Les sc�nes de la vie quotidienne de Monet et ses couleurs brillantes sont �galement preuves de l�influence de l�estampe ukiyo-e. Degas a emprunt� � l�estampe ukiyo-e ses angles et ses points de vue insolites.
C�est par l�estampe japonaise que Gauguin a
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