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The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
LORNA ... history that, um, our people have lived here for
thousands of years and, um, it’s the same, it’s the same
where I am, there’s just more evidence here of, of the past.
Where our past, even though there’s points where you can see
that there has been lots of time gone by but it’s, there at
home, it seems to be more always in the present because you
don’t see all of the layers quite so much.
GARY Where are the layers, where do you look for the layers in
Mount Currie?
LORNA The layers I guess come from the stories, the stories
from the, the old people and the songs that, um, you know,
that they sing about the different eras, the different
times.
BEEP (SLATE NO: 26 TAIL) BEEP BEEP
LORNA ... when I was, um, ah, the oldest thing that I learned
about was uh, that I remember, when I was about 12, I was
sitting with my aunt, just across the street from our house
and she was telling me about the, about creation and how the
people came to, to live in Mount Currie and she was telling
me about the, about the mountains and the, and how the, the
people ended up on this, on this rock, this rock cliff.
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
And, um, and they stayed there for awhile and the water
started to recede and, um, ya, and they, and they found all
of these white, small white fish that was left and so that’s
what they ate, that was ... so that’s the oldest, I guess.
GARY And did you know where this mountain was?
LORNA Ya. Um, it was a place, um, at the end of Lilloet Lake
and, called, it’s now called Gunsight Mount-, Mountain.
And, because it has a split, it has a split in the rock.
BEEP (SLATE NO: ____) BEEP BEEP
THIS IS CAMERA ROLL NO. 4. (SLATE NO: 28) NEXT BEEP BEEP
GARY There’s something about the houses with the roofs missing
and some of them caved in that makes me think about people
who are missing here and I don’t know whether they live,
always happily here or whether something took them away from
here. There’s been a lot of wars coming through here,
there’s gunfire in the background, um, it’s bringing also
for me, a bit of a feeling of loss and I’m wondering if you
can tell me, um, a difficult story that you told me once
about what happened with the small pox in your village. Is
that possible here? Is this the place for that?
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
LORNA Mm ... I don’t know, I don’t feel like this is the
place for that story.
GARY Um ...
LORNA Cause even though here, there’s war and I know that
there have been, there have been many eras, like that have,
you know, groups of people have lived here. It’s a nice,
it’s a nice location and um, I guess over, over the years
there’s always change and, um, and sometimes there can be
anything that brings that change. It can be, um, caused by,
um, natural happenings to the earth, it can be conflict
between people. It can be conflict with, um, with the
spirit world or with, you know, with nature itself. And so
I don’t feel that sense here. I don’t feel that sense of
loss in this place. Even though I can see that, that there
have been different peoples who have lived, who have lived
here. It’s a nice place. It’s got good air, it has a good
feeling here.
GARY Any other feelings that have come to you here?
LORNA Mm ... it’s peaceful here. You know even with, even
with the gunshots in the background, it’s, there’s a sense
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The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
of peace.
GARY Slate please.
BEEP (SLATE NO: ____) BEEP BEEP
LORNA That’s when I’m sitting here, I’m thinking about, uh,
being in New Mexico last, last summer, the summer before and
seeing the, um, the ruins of the, of the Aztec era and
these, um, stones and these buildings, this architecture
actually, reminds me of those buildings that were there.
Similar kind of doorways and similar small rooms and windows
and, uh, places where people gathered and sat together and
people, where people worked and, uh, I, you know, see the
different notches in the rocks and wonder what, what those,
what those were, what those were for. And, um, trying to
imagine what life was, must have been like, you know,
without, um, without glass windows and to face the elements.
Um ...
GARY Does this place bring anything to mind, does it strengthen
or change or reinforce anything in your own feelings in your
own people, about your own ancestors?
LORNA Um ... I ... mm ... I guess it just reinfor-, what it
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
reinforces is that, um, that here people also have a pa st
and, um, and that we all have a past, we all have a
connection to that past and who we are and what we do is
part of, is, um, built on that past. Um, so I guess I see
the passage of time that’s, you know, that’s what I see
here. And I, the other thing that I feel, I guess here, is
that, um, is the sense that, uh, so many, unlike, I think
our history, here there has been so much, um, more violence
and with people exerting their own world view and a way of
life, you know, upon other people. And, that’s something
that I don’t get a sense of when I’m home, on our land. And
I really, every part of this, this country, that, you know,
that I see, it’s, um, one group has thrown out another group
in order for, in order to exist. And it’s, it makes me, I
think under-, it brings me a little bit closer to
understanding, um, the co-, conflict that, uh, that, uh,
people have had in their, in their cultures, in their
histories, that I think we’re not so significant in what,
you know, when I hear about our history, it wasn’t, um, even
though there were conflicts and people did come and war on
us, but always the ... the prime movement was, was for peace
and, uh, for people to be able to, um, dialogue and talk
until they could come to some resolution. And so there was
always an opening that was made for resolution but for here,
but what I feel here, is that, um, is that they want
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The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
resolution too, but resolution only if I can have it, you
know.
GARY How do you mean by that?
LORNA That if I can have this land, we can resolve the
conflict and, um, over the land. There’s very little
give ...
GARY Slate please.
BEEP (SLATE NO: ____) BEEP BEEP
LORNA I’d say that, I still say, I think that, um, that what
this place I would hope would teach uh, young people like
Megan is that, is that we need to strive to find better ways
of uh, of living together in harmony and, um, and also that
um, that the way that people took care of their needs and
lived, lived on the land was, um, grew out of their, their
knowledge of the land, to grow out of, um, um, their sense
of architecture, their ways of building. We, we may be a
li-, we have more sophisticated tools but they were very
highly developed. They made structures that were, that
were, that were good, really good for their times and so
that, here I would want her to know about the continuity, of
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
the continuity of life and, uh, to make that connection with
the past, but also, you know, to the present and into the
future.
The other thing that, um, that, that I would hope that she
would take away from here would be, uh, the sense of, I
guess the importance of, um, of knowing your history,
knowing where you’ve come from.
GARY Is there a particular image of this place that you’ll take
back with you?
LORNA I don’t really get the, any, I don’t have a sense, the
only, the best image I have here is really looking out over
the, uh, over the, the valley and feeling the wind. Um,
here I don’t feel a sense of, um, um, even though there’s
lots, there’s a sense of time, I don’t, I don’t really feel
it here. It’s, um, here it’s very much the present. There
are other parts of Israel that I think, uh, I feel more a
sense of (PLANE IN BKGD) ...
BEEP (TAIL SLATE NO: 30) BEEP BEEP
GARY You were going to say?
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
LORNA I was, um ... I was going to say that, um, that you
could see the remnants here, the rocks tell you that there,
that, and the formations that have been made in the rocks
tell you that, you know, people have been here for a long
time. Um ... but I guess the forests at home, there’s, here
it’s dry and the land is, um, the land feels old. It, and
at home though, there’s this also a sense of time that the
forest tells you and it’s, um, so there’s a different sense
of time, I guess is what it does.
GARY Where do you look ... is there a place at home that gives
you a sense of time? Where do you look if you want to go
and steep yourself in a sense of time?
LORNA There’s a place that, um, that my Mom and the old
ladies took me, used to take me to, to dig roots and, um,
and all around in that area there’s, there are really big
cedar trees and people (PLANE IN BKGD) have been going there
for ...
BEEP (SLATE NO: ____) BEEP BEEP
GARY ... at home, where do you look?
LORNA I was, I was talking about, um, the place where my Mom
SR 3 - PAGE
The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
and old ladies used to take me to dig roots and it’s in a
grove of really big cedar trees and, um, the earth there is
really, really soft so there were lots of, you know, you
could see that there were lots of dead vegetation that has
built up over the years and so, and that’s why they picked
that place, because there the roots were really always
strong and straight. And, um, and you could see evidence
that there, you know, like there had, that it’s been a place
where people have gone to, to dig the cedar root and, um,
for making baskets and then, all around in that place there
are sheshtkins(?), the, the subterranean houses, the winter
houses that people used to, to live in and you can still see
evidence of them. Some are, um, you can see, you know, the
depressions in the, in the earth and you can see some of the
logs. In other places you just, you see only the, a log
coming out of the ground at a certain angle and so, you know
that, that also was a sheshtkin(?) and so there, just from
the trees and from the earth and then knowing that there,
those were sheshtkin(?) that of, you know, different years,
so that, um, it gives that sense of history and, you know,
the sense of time.
GARY Did those people train you to see those things?
LORNA Mm, I’m sure that they trained me, but, um, I’m sure
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The Mind of a Child Face to Face Media Ltd.
SR 3 - LORNA WILLIAMS
they trained me indirectly.
BEEP (SLATE NO: ____)
BEEP
LORNA ... um, Jerusalem towards Masada(?) that I remember the
last time was, like there, I really, that was really ...
GARY Ya, well maybe we’ll go looking for it. We’ll have a day
when we head out in that direction. We’ll find it. Okay.
BEEP BEEP BEEP
SR 3 - PAGE
Production material centres around a short interview conducted with Lorna Wanosts’a7 Williams in the ruins of Gamla, located in the Golan Heights region.
In tape 1, Wanosts’a7 reflects on the site’s layers of history and compares it to how the layers of history in Mount Currie are represented in their stories. She recalls the oldest story she was taught in her childhood about how people came to live in Mount Currie.
In tape 2, Wanosts’a7 continues to speak on the themes of change, a people’s connection to the past, the passage of time, the continuity of life, and the importance of knowing one’s history, as well as the site’s ability to teach reflection on these themes. She then talks about how the site gives one a sense of time, and how she gets a similar feeling from the remnants of old s7ístkens, traditional semi-subterranean winter dwellings of the Lil̓wat7úl, around Mount Currie.
The filmed segments of the interview run from 17:18 on tape 1, and continue until 12:16 on tape 2.
Additional sequences can be found proceeding and following the interview, including the Old City of Jerusalem, Golan Heights, and the Central Bus Station. Much of this material does not have corresponding audio.
Originally recorded on 16 mm film and 1/4” reel-to-reel audio later transferred and synced to Betacam SP for use during post-production. Dates on cassettes are believed to reflect date of transfer.A transcript of the 1/4” sound reel (SR03) was created by Face to Face Media for use during post-production. This audio transcript includes additional interview segments not found on the videocassettes and has been provided unedited. Sound reel not transferred to Archives.Digitized by the The MediaPreserve. Access files created by University of Victoria Special Collections and University Archives. Metadata by Matt Innes.
Rights
This material is made available on this site for research and private study only.